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a wonderful aesthetic experience" – Neil Fox, The Cinematologists "powerful, political, provoking" - Andrew Robertson, Eye for Film "This virtuoso display of editing weaves together a staggering volume of footage of contemporary London, addressing a wide spread of themes […] Find out more » Filmspot are delighted to present a special screening of Anthony Asquith's gripping thriller, 'A Cottage on Dartmoor', with live score composed and performed by Brighton-based pianist par-excellence, Joss Peach.
A simple tale, but beautifully told, ‘A Cottage on Dartmoor’ tells of assistant barber Joe, who is in love with Sally, a manicurist.
Pleasance is truly mesmerising in the central role and Symptoms was justly chosen as Britain’s official entry to the Cannes Festival of 1974. Find out more » Sun 29th September // // Free popcorn Join us for an evening screening of Stefan Sagmeister’s new documentary 'The Happy Film’. About The Happy Film // Austrian graphic designer Stefan Sagmeister is doing well.
Find out more » A selection of locally brewed short films made by some fantastic filmmakers based in and around Liverpool as well as some longer scouse flicks. He lives in New York, the city of his dreams, and he has success in his work, designing album covers for the Rolling Stones, Jay-Z and the Talking Heads.
A riveting, visceral story which remains all too relevant to this day.
Find out more » As part of this year’s Scalarama festivities, Social Cinema is delighted to present Symptoms, one of the underseen masterpieces of British Gothic cinema.
At Charles’ funeral, three strangers arrive to view the body.
Reggie then goes to meet CIA administrator Hamilton Bartholomew (Matthau) at the U. Embassy and learns that the three men are Tex Panthollow (Coburn), Herman Scobie (Kennedy), and Leopold Gideon (Glass), survivors of a secret World War II OSS operation that had been conducted with her husband.The screening will be followed by a Q&A with the film's director/editor Alex Barrett."As a salute to London, Barrett's work is to be celebrated in itself.The film is set in an isolated country house where a neurotic woman (Angela Pleasance) invites her girlfriend to stay with her.Previously only available to see through tatty bootlegs, this BFI restoration brings out the film’s rich, dark tones and sense of creeping dread as the layers of reality slowly peel away.At the age of 51, Baker chose to end his life via carbon monoxide poisoning in his garage (exactly how two of his lead characters perish in Blonde Death). Though we wish he could be alive to experience this praise of his work, the brilliant and overlooked James Robert Baker — to his credit — wouldn’t care.